Skip to main content

2010 Summer Tour: Santo Domingo

Casey Klippel '09, the wise old woman of the YGC, on our last few days in Santo Domingo.

The last day on the Tour That Broke All The Rules started out by ... breaking another rule. The morning after our closing banquet usually consists of sad farewells and moaning-and-groaning about the early wakeup call. But not on this tour! Banquet technically happened last night (though more on that later), and instead of travelling home today, we had our first free time in Santo Domingo as well as our final concert. Time to rise and shine!

Those who rose and shone early enough could take a walking tour of the Colonial Zone in Santo Domingo. Since I am a professional athlete in the extreme sport of sleeping in, my day started instead at our awesome hotel’s even awesomer breakfast buffet (read: tons of pastries, three kinds of tropical fruit juice, and unlimited fried cheese). To be fair, twenty-two of us had toured the Colonial Zone yesterday afternoon. Santo Domingo contains many of the oldest European-influenced buildings in the New World, and its main church is the only truly Gothic cathedral in the Western Hemisphere. The walking tour also brought us into the National Mausoleum and the palace built by Christopher Columbus’s son.

This morning, about half the Glee Club took the opportunity to lounge by our hotel’s expansive swimming pool. I joined in the swimming party after an attempt to walk along the Malecón, a pedestrian path that runs along the Caribbean shore. My excursion itself is hardly noteworthy, except for the incredible traffic - not once in the entire half-hour walk could I actually cross the road to walk on the Malecón. But perhaps the sea is bluer from the other side of the street. The roads in the Dominican Republic have certainly been Breaking All The Rules, from the hilarious (cows), to the dangerous (cows at night), to the unexpected (rivers), to the insane (low-hanging power lines). In the last case, the driver of the “Guagüita Heavy,” or Cool Little Bus, climbed on top of our main 55-passenger coach to move the power line. Before you ask, yes: he is a superhero. Namely, Spiderman. Compare:













The entire Glee Club ate lunch together in Colonial Zone at a Dominican buffet. From there, we travelled to the palatial National Fine Arts Museum to rehearse for our final concert. We would be sharing the stage with the National Choir of the Dominican Republic tonight, and everyone eagerly anticipated this concert as the capstone musical experience of tour. Jeff told us the entire concert hall had been sold out and two overflow rooms were being set up, adding to our already great excitement. We had our first extended rehearsal in several days and enjoyed perfecting both the technical and expressive elements of all our pieces for the last hurrah. After we practiced our set, we rehearsed “Little Innocent Lamb,” “Guayacanal,” and the “Hallelujah Chorus” with the Coro Nacional. Similar to our version of “Muie Rendera” during our tour last year to Brazil, our tempo for “Guayacanal” was about half as fast as it should have been. After rehearsing with the Coro Nacional and their fantastic percussionists, the song sounded much more exciting and animated!


We had a couple hours of downtime before our final concert, during which we could have a snack at the backstage bar and simply hang out. A widespread outbreak of Gleeardia by this point on tour did nothing to dampen our spirits or lessen our end-of-tour traditions. Danny Townsend ’10 and Sarah Dewey ’10 each gave a pep talk inspiring us to cherish this last concert. Even though much mirth lay ahead in the the after-party and after-after-party, the next hour would be the last time the 149th Glee Club would meet as friends in song. The Coro Nacional began the program with a selection of five works, and about fifteen of us snuck into the wings to listen to their beautiful renditions of opera choruses. Next, we performed our hour long set without intermission. Music is the art of time, and our final time together passed much too quickly - the quietly blossoming “O Quam Gloriosum,” the inexorable “McKay,” the lighthearted yet poignant “into the strenuous briefness” by Ryan Harper ’10, and even the short and sweet International Football Medley (played blindfolded by Justin Jee ’10!). I teared up during the transcendent expansiveness of Bruckner’s “Os Justi,” and I’m sure there were not many dry eyes left by the end of Bright College Years. Of course, Breaking Another Rule, BCY was not the last piece on our program. The Coro Nacional returned to the stage for our three joint pieces plus an exhilarating encore.

The final applause over, it was time to Break As Many Rules As Possible before tour really, truly came to an end. The Coro Nacional hosted a mind-blowing, rule-breaking bash that involved a second final banquet buffet, outdoor merengue dancing, and unlimited rum and Coke (eerily parallel to my first-ever night on Glee Club tour five years ago, except in that case the drinks were airborne). We returned to our hotel after midnight, exhausted but unstoppable, as exemplified by the following exclusive interview with John Good ’10:

YGC Blog: John, you look tired.
Mr. Good: I’m SO tired!
YGC Blog: Are you going to sleep?
Mr. Good: No, I’m going to the party!

Alas, I had less resolve than John and went to sleep after returning my music to Sean. It turns out the catchy refrain of “Guayacanal” cannot be removed from one’s head by simply removing the sheet music from one’s folder. But sleep is a reconciling...

Song of the day: “GUAYACANAL!!!!” (not to be confused with “Guayacanal, Slow Version”)

Popular posts from this blog

2009 Winter Tour Blog, Day 4: Eugene, Oregon

Below, Sophomore Dylan Morris gives his account of our fourth day of tour. One YGCer’s Day in Eugene: 6:45am: The YGC wakes up early for the 8:00am bus to Eugene. We’re aiming to arrive midmorning; our director Jeffrey Douma is scheduled to teach a master class at the University of Oregon. We thank our Portland hosts and head to meet the bus. ~8:30am: The Glee Club buses roll out of Portland. Several Glee-ple on my (quiet) bus catch a few extra Zs. 10:45am: The YGC arrives in Eugene, Oregon, home of the University of Oregon Ducks. As a former high school cross country runner, I am excited when I spot Hayward Field, the fabled University track and field venue and the site of this past year’s Olympic Trials. While Jeff is teaching his class, the members of the YGC have a chance to explore the city. YGCers disembark and head off in packs. Fellow YGCer Mari Oye ’11 and I decide to take a running tour of the city that bills itself as Tracktown, U.S.A. 11am-3pm: The YGC explores Eugene

Ten Songs of Yale you didn't know about

Bram Wayman '09 delves into the depths of songbooks past. The views shared here in no way represent the official opinion of the YGC Blog nor the YGC... & c. & c. & c.* Though clear favorites stand the test of time, and the old song books of Yale are full of the high stupidity of yesteryear, a few gems that aren't often — if ever — sung today stand out for me. Some of these songs are beautiful, some hilarious, and some downright offensive, but they all deserve a second look, and I'm not convinced all of them should have fallen out of use. I'm no expert on the history of Yale songs, and have only picked from a few books, but here are ten songs of Yale that still bring a smile to my face. 1. "Old Tom Wilson." TTBB. One of Barty's cleverest arrangements, this piece is a song from the Appalachian mountains of Kentucky. It features vocal banjos, vocal beer-chugging that gets longer each time the jug goes around, lyrics such as "Big fat ga

In memory of Fenno Heath, 1926-2008

Fenno Heath, legendary conductor of the Yale Glee Club from 1953-1992, passed away on December 6. His family has set up a website with many more wonderful stories and memories of him. On hearing the sad news of Fenno’s passing, I just wanted to share a couple of thoughts, tell a couple of stories of Fenno, and hopefully honor him a little bit, as best as anyone can. For new Glee Clubbers: Fenno Heath was our conductor from the 1950s through the 1990s. If any one person could embody the Yale Glee Club, Fenno would be he. He made the courageous leap to bring women into the group; he brought the group on numerous tours abroad, including to China (I believe the group's first China tour ever); he arranged and even composed for the group extensively (hence the Fenno Heath Award for new Yale songs); and most importantly, he did it all with a spirit of genuine, hardy big-heartedness. I can't claim to have any Glee Club memories from before 2005, but in my time in the Glee Club, we

Tour Memories from our 154th Season

This past spring, the 154th Yale Glee Club spent a whirlwind ten days in Spain, bringing concert masterpieces and Yale favorites to audiences across the Iberian Peninsula. Glee Clubbers were able to take a five-hour head-start on Spring Recess as we boarded the buses to head for JFK International Airport and our first stop, Barcelona! With only a few mishaps along the way, we finished our day of travel with Flamenco and tapas at our welcome dinner. The spectacle was mesmerizing, and jaws dropped as proud women and swashbuckling men performed the traditional Andalusian dance, which to my untrained eye looked a lot like a Spanish version of tap dancing with extra flare. Following a visit to the Salvador Dali Museum in Figueres, we joined the Cor Jove Amics de  Granollers, a local choir of college-age students, at the church in Castello d’Empuries. As we would learn throughout the trip, nearly every small town in Spain has a magnificent, medieval church, and Castello d’Empuries was no dif