Skip to main content

The 1941 South American Tour, Part 3

Local reaction to the 1941 Glee Club was everywhere overwhelming. Reading Bartholomew's descriptions, it is hard not to be impressed by the continuous enthusiasm of students and audiences. American folk music was especially well received. “Many of them were not aware,” Barty wrote, “that we had any.” The spirituals on the program were often encored; audiences would not let the concert continue until they were repeated.

But this tour was about more than simply choral music. Barty and the Glee Club made great efforts to encourage choral music in South America. Singing, for him, was advocacy for greater cultural interchange between the Americas. Moreover, he saw the importance of musical relationships among universities, and of exchange programs: "These ... students," he wrote, "will dominate the thought and action of the Latin American world for the next forty years."

Many things have changed in the past seven deacdes; some of the problems that the 1941 Glee Club faced are no longer relevant, and we in turn have new concerns to deal with. But over all, the descriptions of that tour sound very familiar to current members. And the most essential thing remains identical: a belief in the value and power of choral music. As Barty put it:
“Wherever students have been brought together through the friendly medium of singing, they discover the simplest, the most direct and the most effective power on earth for the promotion of understanding and good will."
As we leave for South America today, we believe these words are as true now as they were 68 years ago, and we lift our voices, as they did:

Oh the anchors are weighed and the sails they are set
. Away to Rio!

-Raymond Nagem CC '09

Popular posts from this blog

Ten Songs of Yale you didn't know about

Bram Wayman '09 delves into the depths of songbooks past. The views shared here in no way represent the official opinion of the YGC Blog nor the YGC... & c. & c. & c.* Though clear favorites stand the test of time, and the old song books of Yale are full of the high stupidity of yesteryear, a few gems that aren't often — if ever — sung today stand out for me. Some of these songs are beautiful, some hilarious, and some downright offensive, but they all deserve a second look, and I'm not convinced all of them should have fallen out of use. I'm no expert on the history of Yale songs, and have only picked from a few books, but here are ten songs of Yale that still bring a smile to my face. 1. "Old Tom Wilson." TTBB. One of Barty's cleverest arrangements, this piece is a song from the Appalachian mountains of Kentucky. It features vocal banjos, vocal beer-chugging that gets longer each time the jug goes around, lyrics such as "Big fat ga...

In memory of Fenno Heath, 1926-2008

Fenno Heath, legendary conductor of the Yale Glee Club from 1953-1992, passed away on December 6. His family has set up a website with many more wonderful stories and memories of him. On hearing the sad news of Fenno’s passing, I just wanted to share a couple of thoughts, tell a couple of stories of Fenno, and hopefully honor him a little bit, as best as anyone can. For new Glee Clubbers: Fenno Heath was our conductor from the 1950s through the 1990s. If any one person could embody the Yale Glee Club, Fenno would be he. He made the courageous leap to bring women into the group; he brought the group on numerous tours abroad, including to China (I believe the group's first China tour ever); he arranged and even composed for the group extensively (hence the Fenno Heath Award for new Yale songs); and most importantly, he did it all with a spirit of genuine, hardy big-heartedness. I can't claim to have any Glee Club memories from before 2005, but in my time in the Glee Club, we...

Final Destination: Istanbul

Marisa Karchin ’14, on our Istanbul concert and how she cries every time we sing the Vaughan Williams “This is the place where East meets West, old meets new. What better way to have old meet new than for YAC and the Glee Club to be singing together?” spoke Mark Dollhopf at the Yale Alumni Chorus/ Yale Glee Club welcome dinner our first night in Istanbul. We sat in the hotel restaurant, all approximately 300 of us, exchanging stories, sharing our excitement for our joint concert, hissing at the mention of Harvard, and, of course, singing old favorites. Istanbul was the last stop of the YGC tour, but the first stop for the YAC, who’s also performing in Georgia and Armenia. On our first full day together, we took a ferry to the Princes Islands, crossing the very black waters from Europe to Asia, where we had our first joint rehearsal. We barely all fit in the room in the Anadolu Club, but singing in such a massive chorus was more empowering than intimidating. Jeff warned us, “The potenti...

Beijing Day 1: Vocational School

Hey guys! Here are a few videos documenting our outreach event with the Beijing Vocational School. This school is dedicated to providing free education to the children of migrant workers, many of whom without this program would never receive education, become migrant workers, and continue to live below the poverty line. The YGC was so honored and touched to share our love of music and performance with these students, and we wish them the greatest success in all their endeavors! Entering the school The students at the vocational school performing - I Can Fly and a Chinese pop song YGC performing 'Neath the Elms and Raise Your Voices YGC and Students sing Little Innocent Lamb together! More to come of our first day in Beijing!